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Castle Scotland

Castle Scotland

London by Aron van de Pol

London by Aron van de Pol

WC Cliffs of Moher com nr

WC Cliffs of Moher com nr

Castle Scotland

Castle Scotland

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A black and white ink print shows Oscar Wilde depicted as Narcissus. Wilde lays on his side, stretching along a dock and gazing at his reflection in the water below. A printed text on the right side of the image suggests that avarice is the driving force behind the author’s exaggerated public persona.

A black and white ink print shows Oscar Wilde depicted as Narcissus. Wilde lays on his side, stretching along a dock and gazing at his reflection in the water below. A printed text on the right side of the image suggests that avarice is the driving force behind the author’s exaggerated public persona.

How Queer Became Posh: Class and Representations of Non-Normative Sexuality and Gender

A black and white ink drawing shows a Vauxhall car rounding the top of a curve, appearing to come at the viewer. The drawing evokes speed, and the car appears to be racing at the viewer who stands uphill. A written caption reads “Shelsley Walsh – Mr. Raymond Mays’ Vauxhall-Villiers Breaking all Records for the Hill.” The detail is from a larger spread featuring British cars in different races

A black and white ink drawing shows a Vauxhall car rounding the top of a curve, appearing to come at the viewer. The drawing evokes speed, and the car appears to be racing at the viewer who stands uphill. A written caption reads “Shelsley Walsh – Mr. Raymond Mays’ Vauxhall-Villiers Breaking all Records for the Hill.” The detail is from a larger spread featuring British cars in different races

Roberta Cowell: Britain’s reluctant “trans” pioneer

Rebecca Jane Morgan

An unfinished watercolor painting of a Royal Coach. A canvas colored sheet of paper features a partially completed painting of a coach in the middle. The coach is alone in the center of the sheet, with a few penciled shapes at the outer edges. The unfinished character of the work evokes a sense of the broken down in relation to royalty

An unfinished watercolor painting of a Royal Coach. A canvas colored sheet of paper features a partially completed painting of a coach in the middle. The coach is alone in the center of the sheet, with a few penciled shapes at the outer edges. The unfinished character of the work evokes a sense of the broken down in relation to royalty

Is Andrew the British Monarchy’s Marie Antionette?

Nicoletta Gullace

Journal of British Studies

Rebecca Earle

"Captured at Sea": Maritime Conflict and the Circulation of Art in Early Modern Britain

Rachel Banke

Imperium in Imperio: The Peacetime Commander in Chief as a Linchpin of Colonial Reform

Saima Nasar

The “Asian Mother and Baby Campaign”: Race, Healthcare, and Citizenship in late Twentieth-Century Britain

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